Global Concert Market: Size, Trends & Forecasts (2016-2020)

SKU ID :DR-10269338 | Published Date: 01-Sep-2016 | No. of pages: 56
1. Executive Summary 2. Introduction 2.1 Music Industry: An Overview 2.1.1 Composition of Music Industry Business 2.1.2 Sub-Sectors of Music Industry 2.2 Concert Industry: An Overview 2.2.1 Functioning of Concert Industry 2.2.2 Advantages & Disadvantages of Concerts 2.3 Concerts v/s Recorded Music 3. Global Market Analysis 3.1 Global Concert Market: An Analysis 3.1.1 Global Concert Market by Value 3.1.2 Global Concert Market by Region 3.1.3 Global Concert Market by Top 100 Tours By Value By Tickets Sold By Tickets Price 4. Regional Market Analysis 4.1 North America Concert Market: An Analysis 4.1.1 North America Concert Market by Value 4.1.2 North America Concert Market by Top 100 Tours By Value By Number of Tickets Sold & Average Price of Tickets 4.2 China Concert Market: An Analysis 4.2.1 China Concert Market by Value 4.2.2 China Concert Market by Audience 4.3 Japan Concert Market: An Analysis 4.3.1 Japan Music Market by Segments 4.3.2 Japan Concert Market by Value 4.3.3 Japan Concerts Market by Number of Concerts and Audiences 5. Market Dynamics 5.1 Growth Drivers 5.1.1 Increasing Global GDP & GDP Per-Capita 5.1.2 Booming Global Urban Population 5.1.3 Rising Global Smartphone Usage 5.1.4 Increasing Global Social Network Users 5.1.5 Expanding Cashless Payments 5.2 Challenges 5.2.1 Safety Issues 5.2.2 Competitive Guarantees 5.2.3 Global Economic Downturn 5.3 Market Trends 5.3.1 Allocation of Consumer Spending 5.3.2 Improving Infrastructure 5.3.3 Emergence of Festivals 5.3.4 Prepaid Cards 5.3.5 Technology Improvement 5.3.6 Mobile Ticketing for Concerts 6. Competitive Landscape 6.1 Global Competitive Landscape 6.1.1 Global Top 10 Promoters by Tickets Sold 7. Company Profile 7.1 AEG Live (AEG Worldwide) 7.1.1 Business Overview 7.1.2 Business Strategy 7.2 Live Nation Entertainment, Inc. 7.2.1 Business Overview 7.2.2 Financial Overview 7.2.3 Business Strategy 7.3 Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA) 7.3.1 Business Overview 7.3.2 Financial Overview 7.3.3 Business Strategy List of Figures Figure 1: Composition of Music Industry Business Figure 2: Sub-Sectors of Music Industry Figure 3: Functioning of Concert Industry Figure 4: Advantages & Disadvantages of Concerts Figure 5: Global Concert Market by Value; 2011-2015 (US$ Billion) Figure 6: Global Concert Market by Value; 2016-2020 (US$ Billion) Figure 7: Global Concert Market by Region; 2015 Figure 8: Global Top 100 Concert Tours by Value; 2013-2015 (US$ Billion) Figure 9: Global Top 100 Concert Tours by Tickets Sold; 2013-2015 (Million) Figure 10: Global Top 100 Concert Tours by Ticket Price; 2014-2015 (US$) Figure 11: North America Concert Market by Value; 2011-2015 (US$ Billion) Figure 12: North America Concert Market by Value; 2016-2020 (US$ Billion) Figure 13: North America Top 100 Concert Tour by Value; 2014-2015 (US$ Billion) Figure 14: North America Top 100 Concert Tour by Number of Tickets Sold & Average Price of Tickets; 2014-2015 (US$ Billion) Figure 15: China Concert Market by Value; 2015-2020 (US$ Million) Figure 16: China Concert Market by Audience; 2015-2020 (Million) Figure 17: Japan Music Market by Segments; 2011 & 2014 Figure 18: Japan Concert Market by Value; 2010-2015 (US$ Billion) Figure 19: Japan Concert Market by Number of Concerts and Audiences; 2010-2015 Figure 20: Global GDP & GDP Per-Capita; 2009-2015 Figure 21: Global Urban Population; 2009-2015 (Billion) Figure 22: Global Smartphone Usage; 2011-2015 (Million Units) Figure 23: Global Social Network Users; 2011-2020 (Billions) Figure 24: Global Payment Market by Segments; 2014 & 2019 Figure 25: Allocation of Consumer Spending (Age Group of 18-25 years) in the US; 2015 Percentage (%) Figure 26: Live Nation Revenue; 2011-2015 (US$ Billion) Figure 27: Live Nation Segment Revenue; 2015 Figure 28: CTS Eventim AG & Co. KGaA Revenue; 2011-2015 (US$ Million) Figure 29: CTS Eventim AG & Co. KGaA Segment Revenue; 2015 Table 1: Concerts v/s Recorded Music Table 2: Global Top 10 Promoters by Tickets Sold; 2015
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